Updated

Updated · Yahoo! Voices · Nov 11

Amanda Seyfried Describes Visit to Elizabeth Holmes' $2.25 Million Texas Home During Prison Term

Updated

Updated · Yahoo! Voices · Nov 11

Amanda Seyfried Describes Visit to Elizabeth Holmes' $2.25 Million Texas Home During Prison Term

Q: What specific actions by Billy Evans convinced Amanda Seyfried he was dangerously using Elizabeth Holmes as a tool?

Seyfried was convinced by Evans’ behavior on and off camera that he was speaking for Elizabeth Holmes and controlling how she was presented, rather than simply supporting her. She said the warning signs began in footage she watched before meeting him. What disturbed her was the sense that he was “pulling the strings,” the way he interacted with Holmes and with the filmmakers, and what she described as a generally “yucky” and “dangerous” dynamic. Reporting around the film also points to small but telling moments, such as Evans taking over from Holmes in ordinary situations, which reinforced the impression that he was comfortable asserting control over her. That impression hardened during their dinner. Seyfried said Evans became unnecessarily aggressive, criticized her performance in *The Dropout*, and argued with her about unrelated public comments. More importantly, the broader exchange centered on his role in managing Holmes’ image while she was in prison. In the documentary, Evans acknowledges posting on Holmes’ social media accounts in her name without consulting her on every message, saying he knew what she would want to say. Seyfried challenged that, questioning whether Holmes actually approved the posts or even spoke that way. Taken together, Seyfried said those actions made her feel Evans was using Holmes “as a tool” — despite publicly framing his actions as acts of love.

Q: How did Amanda Seyfried's legal team retroactively save her career after she secretly filmed an A24 documentary?

Amanda Seyfried’s legal team appears to have protected her by retroactively formalizing the paperwork she skipped before filming — putting a proper deal in place after the fact so she had contractual and legal protection. Seyfried said she agreed to appear in Nathan Fielder and Lance Oppenheim’s A24 documentary *You Can See Everything* without first involving her agents, lawyers or studio representatives. After she later told them she had already filmed material, her lawyer told her they needed to “retroactively set” her deal because she “needed protection.” Based on her account, that did not mean they erased the footage or gave her creative control. In fact, Fielder said she had “no approval” over the project or the footage. What the legal team seems to have done was regularize her participation after filming had begun: negotiate and document terms with the filmmakers and studio, clarify her status in the production, and secure the legal safeguards an actor would normally have before appearing on camera. That likely included basic protections tied to compensation, liability, credit and use of her performance, even though Seyfried still lacked editorial control. In other words, her lawyers did not “save” her career by stopping the documentary; they helped reduce the professional and legal exposure created by her unusual decision to join the film informally and in secret. Seyfried has said she ultimately has no regrets about taking the risk.

3 articles · Updated · Yahoo! Voices · Nov 11

Seyfried said entering Holmes and Billy Evans' Austin home while Holmes was in prison felt "crazy," especially when Holmes unexpectedly called as Seyfried sat with the couple's children and dog.
The visit was filmed for A24's documentary "You Can See Everything," which first captured the 34 days before Holmes reported to a Bryan, Texas prison camp on May 30, 2023, then returned two years later.
Inside the house, Seyfried said she tried to suppress her disdain for Evans to preserve access for filming, but a dinner conversation turned tense over political differences and what she called his disrespect.
The film also uses Seyfried in reenactments tied to Holmes' final weeks in a Del Mar beach rental, a setting she said felt like "time-travel" after previously seeing Holmes there on footage.